A short summary of our 2024 season

Posted on November 17, 2024 by ankhhorproject

It’s now a week since we returned to Europe from beautiful Luxor. Not only from the very successful 2024 Ankh-Hor project campaign, but also from a splendid Thebes in the First Millennium BCE conference with a rich programme of lectures and site visits.

Our 5 weeks of work on objects from the tomb of Ankh-Hor, TT 414, were very intensive. I will try to briefly summarise the most important aspects below.

The major goal of the 2024 season was to continue the cleaning, consolidation, and documentation of the large number of objects excavated from TT 414, the monumental tomb of Ankh-Hor, High Steward of the Divine Adoratrice Nitocris (26th Dynasty). Like in the 2023 season, the focus was on wooden coffins and cartonnage elements from TT 414 and included both Late Period pieces and Ptolemaic ones. Work was conducted from September 28 to October 31, 2024 (SCA Inspector: Shaima Abdelkarim).

Some fragmented coffins from TT 414 were identified for the first time and correlated with the documentation from the 1970s. Some additional material was recorded for the first time. In addition, several previously not identified pieces were newly recognised as matches to coffins documented by the Austrian mission in the 1970s. Some of these were joined by our conservators to the already documented pieces. One important example is Reg. No. 857. Whereas in the 1970s, only a small fragment of the edge and some base fragments of this lower case of a coffin were documented (Fig. 1 bottom left), new joining pieces allowed to reconstruct the entire length of the coffin (Fig. 1). With just 120cm in length, this is a coffin for an infant, not an adult. This raises various questions since the owner of the coffin is identified as Iset-em-akhbjt who holds the title jHjt n wja Ra (singer of the bark of Re).

Fig. 1: New pieces of Reg. No. 857 allow to identify it as an infant coffin

All finds studied in 2024 were digitally photographed and entered in a database, created by File Maker Pro. In total, more than 110 individual objects (mostly coffins and cartonnage elements) were studied and documented by full-format photos in high resolution. These new photos are suitable for publication and show the colours of the pieces, in contrast to the previous documentation in the 1970s. A total of 35 drawings of 14 important objects were produced in 2024 by Hassan and Ladina, comprising fragments wooden statues, canopic shrines and painted mud plaster.

Fig. 2: Photographing our coffin fragments sometimes required individual settings; here Islam helps me with the preparation.

Since many the painted objects from TT 414 have darkened surface, infrared photography was used to make the original decoration visible (with a Sony Cybershot DSC-F828, an IR-filter and a small magnet). In 2024, this method was applied to a total of 70 objects.
A new method of documentation was introduced in 2023 for the Ankh-Hor project. The app Scaniverse was used to capture objects in 3D. This photogrammetry application is ultrafast, highly accurate and very easy to use. 207 objects from TT 414 were captured with metrically accurate 3D models this season. This technique was mainly used for work recordings when sorting cartonnage coffins (Fig. 3).

Fig. 3: Screenshot of 3D model of the newly reconstructed, fragmented cartonnage coffin lid Reg. 24/04. Since no texts with names and titles are preserved, the ownership is still unclear. The general colour scheme is rather unusual within the corpus of cartonnage coffins from TT 414.

The conservators of the LMU Munich Ankh-Hor Project in the 2023 season were the specialists for wood, Mrs. Karima Mohamed Sadiq and Mr. Mohamed Mahmoud Mohamed Mahmoud. All consolidated objects were documented photographically before and after conservation. Every object is documented in a list, containing the observed damages and the conservation measures. A total of more than 150 wooden and painted objects, mostly coffins, comprising c. 400 individual pieces, were successfully cleaned and consolidated in 2024.

One of the major accomplishments of the consolidation work this year was the reconstruction of the lower part of the cartonnage coffin Reg. No. 08/05. Before consolidation, it was broken in several pieces and very fragmented (Fig. 4).

Fig. 4: Part of Reg. No. 08/05 before consolidation work.

Fig. 5: Work in progress – Mohamed is consolidating the very fragile cartonnage coffin Reg. No. 08/05.

At the end of our season, these fragments, including the newly found foot part, were joint to each other, and Reg. No. 08/05 reconstructed as best as possible (Fig. 6). Simply a great job by Karima and Mohamed!

Fig. 6: Interior of Reg. No. 08/05 after consolidation work.

Apart from the consolidation work, the study of the cartonnage coffins supported some conclusions about certain people buried in TT 414 during Ptolemaic times, for example about the Wesjrwer family. We now know that Horpabjk was the owner of the wooden coffin Reg. 829 and also of the newly recosntructed cartonnage coffin Reg. 08/05 (Figs. 4-6). In 2023, he was tentatively identified as a brother of Horakhbjt, owner of the cartonnage coffin Reg. No. 860. With his own cartonnage coffin now beautifully reconstructed and identified, which shows close parallels to Reg. No. 860, this family relation and identification is now based on solid grounds. More research is needed to fully understand this important family.

That we can now study sets of coffins in wood and cartonnage together is a considerable step towards reconstructing actual tomb groups in TT 414.

Since not all fragments of wooden and cartonnage coffins from TT 414 are yet consolidated and documented, our work needs to be continued in the next season. The finding of joining pieces is in particular time-consuming but definitly worthwhile.

Finally, I would like to thank all the team members and the local authorities – it was not only a successful season, but also a really enjoyable one and I am really looking forward to the next one with hopefully a very similar line-up!

Work progress on the coffins of TT 414

Posted on October 12, 2024 by ankhhorproject

Week 3 has just started and Ladina and Hassan are busy with documenting 30th Dynasty/early Ptolemaic coffins from the tomb of Ankh-Hor (TT 414), while Karima and Mohamed continue with some later Ptolemaic painted fragments.

Ashraf, Hassan and Ladina are busy sorting, cleaning and documenting coffin fragments.

Week 2 brought a lot of progress; I was able to make numerous joints of small fragments to known, registered pieces. My focus was on Ptolemaic coffins around the family of Wesjr-wer – and here, in addition to the painted wooden coffins, also on the cartonnage coffins. A real challenge are both wooden and cartonnage coffins, where the text fields have unfortunately remained empty, so we have no information about the owners.

The white painted with black text outer surfaces of the lower parts of bivalve cartonnage coffins are still a big puzzle – but I have already found many joints!

As a special highlight, I also documented the qrsw coffin of one of Ankh-Hor’s relatives, Psametik-men-em-Waset, Reg. 595, in 3D. The piece of which several boards and the front side are preserved had already been documented with our full-frame camera in 2018, but I wanted to take full advantage of the new possibilities offered by the rapid development of video-based photogrammetry with LiDAR sensors on mobile devices and the Scaniverse app developed by Toolbox AI. The scans also allow us to highlight technological features and details of the wood structure.

Screenshot of 3D scan of one of the lateral sides of Reg. 595 which shows nicely the damages of the wood and painted surface.

Sceenshot of the 3D scan of the front side of the vaulted lid of the qrsw coffin Reg. 595.

Last but not least, Hassan and Ladina made detailed drawings of fragments of canopic boxes from TT 414. These drawings will be used in the final publication and perfectly complement our photographic documentation and the 3D scans.

Technical drawings remain necessary for some selected wooden pieces from TT 414.

All in all, our 2024 season continues to be very productive, and I am grateful to all team members for their commitment and enthusiasm. There are some really great objects we are working on and there are still a lot of them waiting for us in the coming weeks!

The 2023 season of the Ankh-Hor project in retrospect

Posted on November 2, 2023 by ankhhorproject

Today four weeks ago we closed the 2023 season of the Ankh-Hor project in Luxor. Time for a little review of a very successful season.

Work was conducted from September 5 to October 5, 2023, with our very helpful SCA Inspector Mahmoud Sayed Abdelhady. The major goal was to continue the cleaning, consolidation, and documentation of the large number of objects excavated in the 1970s from TT 414, the monumental tomb of Ankh-Hor, High Steward of the Divine Adora-trice Nitocris (26th Dynasty).

Several previously not identified pieces were newly recognised as matches to coffins documented by the Austrian mission in the 1970s. Some of these were joined by our conservators Mohamed and Karima to the already documented pieces. One example is Reg. No. 827 – Fig. 1 shows the state of documentation in the 1970s compared to 2023; this season, we found a small new piece matching to the instep of the lid. All pieces of Reg. No. 827 were cleaned and consolidated.

Fig. 1: Reg. 827, a fragmented Ptolemaic coffin lid. Left the state in 1975, to the right our new match in 2023.

In general, all finds studied in 2023 were digitally photographed and entered in a database, created by File Maker Pro. In total, more than 180 individual objects (mostly coffins and cartonnage elements) were studied and documented by more than 2400 photos. These new photos are suitable for publication and show the colours of the pieces, in contrast to the previous documentation in the 1970s (see Fig. 2).

Fig. 2: Reg. 521, one of the examples showing the benefits of high-resolution photography in full colour.

We introduced a new method of documentation in 2023. The app Scaniverse (see https://scaniverse.com/) was used to capture objects in 3D. This photogrammetry application is ultrafast, highly accurate and very easy to use. 170 objects from TT 414 were captured with metrically accurate 3D models this season – simply fantastic!

Ashraf and I with the box of objects we transported in 2023 to the magazine (photo: P. Heindl).

One of the highlights of this season was the transport of objects to the magazine of the West Bank. In addition, we were able to work on coffins we transported to the magazine in earlier years. My personal highlight was the new documentation of one of my favourite coffins from TT 414, of Reg. 655, with infrared photography and with a 3D model.

3D model of coffin Reg. 655 created with the app Scaniverse

The conservators of the LMU Munich Ankh-Hor Project in the 2023 season were the specialists for wood, Mrs. Karima Mohamed Sadiq and Mr. Mahmoud Mohamed Mahmoud. They did a fantastic job, both at our site and in the magazine of the West Bank. A total of 108 wooden and painted objects, mostly coffins, comprising 294 individual pieces, were successfully cleaned and consolidated in 2023.

To conclude, the fifth season of the LMU Ankh-Hor Project was carried out successfully, with much progress regarding the consolidation and documentation of wood and cartonnage coffins from TT 414. Thanks to the transfer of objects to the magazine and the placement of studied finds in sugar bags in corridors of Tomb I, much space was gain in the mission’s magazine which is crucial for the future jigsaw puzzle of coffin fragments, both in wood and cartonnage. New genealogical information regarding coffin owners were unearthed and the stylistic assessment of Ptolemaic cartonnage coffins advanced in 2023 in many aspects, including reconstructing new cartonnage coffins.

The rich potential of our work on the cartonnage coffins can be illustrated with Reg. 23/04. I was able to match several fragments of the edge of the base of a cartonnage coffin which was previously not documented (Fig. 3). Based on the father’s name, the titles and the close similarity with Reg. 860, the coffin of Horakhbjt, I would like to propose to identify the owner of Reg. 23/04, Wesjrwer, as the previously unknown brother of Horakhbjt.

Fig. 3: Reconstruction of nine fragments of the edge of a cartonnage coffin of Wesjrwer.

Since not all fragments of wooden and cartonnage coffins from TT 414 are yet consolidated and documented, our work needs to be continued in the next season.

For now, I would like to express my gratitude to all of our Egyptian colleagues without whom work would not have been possible. I am very grateful to all team members of the 2023 season: Patrizia Heindl, Caroline Stadlmann, Ahmed Elmaklizi, all LMU Munich, and Karima Mohamed Sadiq and Mohamed Mahmoud Mohamed Mahmoud as the conservators of the Ministry of Antiquities and Tourism. Ashraf Hosni Teegi did another great job as the head of logistics. Many thanks to all and we are all very much looking forward to the next season!

The 2023 team of the LMU Ankh-Hor Project.

Reunion with well-known coffins: working in the magazine of the West Bank

Posted on October 9, 2023 by ankhhorproject

Just one week ago, I had the pleasure of working on coffins from the tomb of Ankh-Hor in the main magazine of the Egyptian authorities on the West Bank – we brought them there in the 2000s and I had the chance to open some boxes for the first time since 15 years. This really was exciting!

All in all, thanks to the support of our Egyptian colleagues, I spent three days of work (Oct. 1-3, 2023) in the magazine of the West Bank. The main aim was to join newly found fragments to coffins which were transported in previous years to the magazine. This was one Ptolemaic painted coffin transported in 2007, Reg. 655. One joining piece could be fitted to the inner part of the shoulder of this coffin. I also relocated several loose fragments of the lid in our magazine, but these are not matching to each other, illustrating the destruction of the lid of the coffin when looters removed by force the mummy from within.

Mohamed Mahmoud showing the match of the coffin fragment to the shoulder of Reg. 655.

I documented the complete coffin Reg. 655, owned by a Ptolemaic priest with the name of Padiaes, using infrared photography – a technique I did not use back in 2007 and which is therefore a great complementary documentation. This allowed to trace not only all the texts but also small details of the drawings of the figures. Like in 2007, I am just really thrilled by the execution of these details!

Detail of the kneeling figures of Padiaes on a new infrared photo.

Using the app Scaniverse, the coffin of Padiaes was also captured in 3D. I made one scan with the fitting face part of the coffin lid, comprising of mask and wig, and one without it. These 3D models will allow us to digitally reconstruct the complete coffin, ideally also placing the not-fitting fragments of the lid in their original position.

The second coffin for which matching pieces were found in the past years is Reg. 656, the beautiful coffin of the temple singer Aset-em-Akhbit III transported to the magazine just in 2021. Our conservators joined one fitting piece to the lateral side of the lid. Reg. 656 was, like Reg. 655, scanned in 3D and documented in its new shape with our full-frame camera.

Karima Mohamed joining the two fragments of Reg. 656 together.

Documentation of the new shape of Reg. 656 after placement of the new matching fragment.

Apart from the matching of joining pieces to these two coffins, our goal for the work in the magazine was to update the documentation of the objects. I managed to study a total of 18 objects, making high-resolution photos, 3D scans and infrared photography. My personal highlight was the reunion with the inner coffin of Wakhibre, one of the rare in situ burials of the 30th Dynasty excavated in Thebes and a very special piece.

For facilitating this important work in the magazine of the West Bank, I am very thankful to Ahmed Hassan, Chief Director of the Magazines of the West Bank as well as to Ahmed Ezz, Director of the Magazine. I am grateful to our conservators Karima Mohamed and Mohamed Mahmoud for their excellent job fitting the joining pieces to Reg.655 and Reg. 656. I would also like to thank Nefisa Elazab Mohamed who functioned as an inspector during my work in the magazine and was very helpful. I hope to be back there in the next season – 3D scans and infrared photos are waiting for other objects from the tomb of Ankh-Hor!

Much progress in week 3 of the 2023 season

Posted on September 22, 2023 by ankhhorproject

This week just flew by very quickly – we made much progress in many respects.

The consolidation and cleaning of coffins from TT 414 was carried out continuously by our conservators Karima and Mohammed. They managed to clean seven additional coffins this week, comprised of more than 60 individual pieces. Very time consuming was therefore the puzzling with the fragments and gluing them back together after cleaning.

This week, Mohammed and Karima had to fit many pieces of fragmented coffins together.

One case study of these working tasks is shown here – Reg. 825 is a nice example of a looted inner anthropoid coffins with clear damages caused by the robbers. Karima and Mohammed managed to fit the fragments back together in a way that also the original shape of the lid becomes visible again.

Reg. 825 was one of the coffins successfully cleaned, glued and documented in week 3.

Another great achievement in terms of consolidation was the work by Mohammed on a very fragile pedestal of a 26th Dynasty Ptah-Sokar-Osiris statue from the tomb of Ankh-Hor. The piece is not inscribed, but covered with linen and painted in yellow, red and blue. Mohammed fixed all of the remaining painted parts. The 3D model I created of the object with Scaniverse shows in great accuracy the “footprint” of the statue – the tenon hole, but also the shape of the lower base of the figure. The almost square cavity in front of the pedestal was closed with a lid on which we traced the negative of a falcon statue.

3D model of Reg. 23/02 (created with Scaniverse) showing all the details of this 26th Dynasty Ptah-Sokar-Osiris-pedestal. The small lid of the cavity was removed for this scan.

This week the work on the cartonnage coffins from TT 414 really picked up speed. To begin, Ahmed and Caroline, our student assistants, searched and sorted through several boxes of fragments. We focused on the reconstruction of a wonderful two-part coffin of the Ptolemaic Amun priest Horakhbjt, Reg. 860- its painting is exquisite and large fragments were documented back in the 1970s. However, we realised that most of these fragments are currently missing. The good news is: I have now been able to relocate numerous pieces; they were scattered in dozens of boxes in the magazine.

Ahmed and Caroline did a great job sorting through boxes with cartonnage fragments from TT 414.

I show you here a particularly charming fragment from the lid: just check out the details of the figure of Anubis and the way he is here depicted bent over the mummy on the lion bed.

One small fragment from the lid of Reg. 860 – unusual is the representation of Anubis in this scene with the mummy bier.

I did anticipate that work on Reg. 860 will be time-consuming – maybe not as much as it turned out to be, but I am still optimistic that we will manage to document much of this important piece during this season. In addition, I managed to find matching pieces to a lot of other cartonnage coffins. The most exciting one is maybe the beautiful lid of the cartonnage of the priest Twt. Just last year, I managed to identify this cartonnage coffin and now we have a full representation of Twt kneeling in front of an offering table in delicate painting.

New matching pieces of the cartonnage coffin of Mr. Twt – the lower part of the Ba-bird and of Twt himself were newly found this week.

Last but not least, this week was also very successful in using 3D scanning with Scaniverse to document objects, fragments of cartonnage coffins and wooden coffins from TT 414. More than 50 3D scans now complement our documentation and will allow us to continue the jigsaw puzzle also back home after the season.

Summary of week 2 of the 2023 season

Posted on September 15, 2023 by ankhhorproject

This week has been extremely productive, and we made much progress in our work tasks. In terms of conservation, the consolidation and cleaning of objects from TT 414 progressed very well thanks for the efforts of our conservators Karima and Mohammed. The focus was on Ptolemaic painted coffins and for many of them, matching pieces could be glued together. Despite of this time-consuming task of gluing, already 38 registered numbers with more than 70 individual pieces have been treated by our conservation team until today.

Mohammed fitting together two broken pieces of a Ptolemaic coffin lid.

Karima cleaning and consolidating another fragment from this coffin lid.

My tasks are currently to prepare the objects chosen for consolidation according to priorities, photographing them (with our full-frame camera for high resolution photos as well as with infrared photography where necessary) and identifying fragments without object numbers.

Photographing is one of the main steps of documentation in our project.

Reg. 07/58, the lower part of a Ptolemaic coffin after cleaning.

For one coffin fragment, the base of an inner anthropoid coffin (Reg. 07/58), I noticed a very interesting detail. There is a substantial amount of black goo (bitumen/resin) on the interior of this coffin – a common feature in our corpus, especially for the Ptolemaic coffins. Although this substance partially obscures the decoration of painted pieces, it is also an interesting archive of information in itself. For example, back in 2021, we documented the so-called “beetle coffin”, where a number of beetles were stuck into the resin/bitumen. There are other examples in which the negative traces of the mummy and/or of rolls of papyrus are traceable in the black goo. For Reg. 07/58, we can reconstruct that the mummy was covered in a bead net and this net has left an imprint in the resinous substance.

Detail of imprint of bead net in the black goo covering the interior of Reg. 07/58.

Thus, although only very fragmentarily preserved, this coffin fragment offers quite some interesting information on the burial which was once placed in it and got looted prior to the excavation of TT 414.

Newly documented pieces are getting measured and described as well. With the exciting new possibility of 3D scanning with Scaniverse, we will complement our documentation with this useful asset.

Finally, despite of all the digital documentation, we also use traditional methods like drawing for small objects and wooden pieces where the illustration of the construction is highly relevant. This working task was started during week 2 as well, thanks to the arrival of Patrizia Heindl.

First drawings of objects from TT 414 were realised this week thanks to Patrizia.

More team members will arrive later today, and I am very much looking forward to week 3 of our 2023 season.

Successful start of the 2023 season

Posted on September 5, 2023 by ankhhorproject

Today was the opening day of our 2023 season of the LMU Ankh-Hor Project. All went very smooth, thanks to the great colleagues in the inspectorate in Luxor and on the west bank and first of all our wonderful inspector Mahmoud Sayed. We are currently a small team, but more team members will arrive next week. This year’s focus will be on conservation and documentation of wooden painted coffins and cartonnage cases from TT 414, the tomb of Ankh-Hor.

All set up for work in the Asasif – our conservation tent early in the morning.

Like in the last years, we have again a very comfortable, spacious conservation tent set up as well as smaller tents for documentation and drawing of objects. All working steps are by now already routine – I started sorting Late Period and Ptolemaic coffins according to priorities and took first photos of selected pieces.

I am very happy that our two Egyptian conservators, Mohammed Mahmoud and Karima, started their work already today. Both are experts for wood and have an extensive working experience here in Thebes but also at other sites in Egypt. Mohammed has worked with us already in 2021 and is thus very familiar with the material from TT 414.

Mohammed set up the working spaces and continued seamlessly with his conservation work from 2021.

Karima is joing us for the first time and had a great first day like all of us!

Today, already several fragmented Ptolemaic coffins were successfully cleaned and consolidated – a wonderful start and a very nice outlook for the next weeks!

Ptolemaic cartonnage elements from TT 414: tentative steps into a promising field

Posted on October 19, 2022 by ankhhorproject

It is well known that Ptolemaic mummies were typically equipped with trappings made of cartonnage. The most common cartonnage elements are a helmet-style funerary mask, a foot case and several panels along the body. Such elements are commonly displayed in museums and collections worldwide (and frequently found as objects sold on the art market). Several aspects like the manufacture process or stylistic features of such cartonnages have already been discussed by scholars, with a clear focus on funerary masks in Ptolemaic times (see e.g. Stadler 2004, Vandenbeusch et al. 2021).

In Theban funerary archaeology, little research has been done on Ptolemaic cartonnages. Such elements are mentioned frequently in excavation reports, but a concise assessment, including a study of the diachronic development in Ptolemaic times, still needs to be undertaken. Seminal, but only preliminary work was conducted by the late Gabor Schreiber (Schreiber 2006).

The rich corpus of cartonnage elements from TT 414 was also neglected and remains to be studied in detail and of course published. This material from the tomb of Ankh-Hor covers a long and intriguing period. Cartonnage trappings are already known from the in situ burial of Wahibre I (Bietak and Reiser-Haslauer 1982) and thus seem to start in the 30^th Dynasty with a peak in early Ptolemaic times. In mid- to late Ptolemaic times cartonnage coffins replacing wooden coffins are attested from TT 414, allowing to compare the iconography of wooden coffins with that of cartonnage pieces.

During the current 2022 season of the LMU Ankh-Hor project, I managed to get a good overview of all the cartonnage elements from TT 414. It became obvious that there are many matching pieces throughout several boxes – it is a large jigsaw-puzzle very much comparable to the wooden coffin fragments. Many cartonnage elements belong to funerary masks, but also foot cases and trappings placed on the mummified body are well attested. Among my favourite elements are pectorals in the shape of broad collars. These usually show alternating dotted and floral motifs and include the representation of a winged scarab and falcon heads on the sides. Representations of the goddess Nut spreading her wings are also attested – thus a range of motifs also known from various types of coffins. In line with this, many of the cartonnage elements are decorated on both sides. Some cartonnage trappings also show actual scenes like the deceased being led by Anubis to Osiris (Fig. 1).

Fig. 1: examples for the high quality but fragmentation of the cartonnage elements from TT 414.

In addition to the stylistic assessment of the cartonnages from TT 414, much progress was done this season in identifying the owners of these trappings. Thanks to infrared photography, some names and titles became readable and allow to attribute cartonnage elements to Ptolemaic individuals already known from other objects.

One of my personal highlights is the identification of a new cartonnage element for Mr. Twt – an individual otherwise only attested by his outer anthropoid coffin in yellow-red on black-style (Fig. 2). Already in 2019, I was convinced that there must be other objects belonging to Twt – well, here we are, three years later with new evidence of cartonnage trappings.

Fig. 2: We can now assign cartonnage trappings to Twt, owner of coffin Reg. No. 510. This also offers us the possibility to compare the motifs and styles on coffins and cartonnages.

These are just the first tentative steps into a very promising fields! Updates will follow, work continues!

References

Bietak, Manfred and Elfriede Reiser-Haslauer 1982. Das Grab des ‘Anch-Hor vol. II. Wien: Verlag der Österreichischen Akademie der Wissenschaften.

Schreiber, Gábor 2006. Ptolemaic cartonnages from Thebes. In Győry, Hedvig (ed.), Aegyptus et Pannonia III: Acta symposii anno 2004, 227-246. Budapest: MEBT-ÓEB.

Stadler, Martin Andreas 2004. Ägyptische Mumienmasken in Würzburg (Schenkung Gütte). Wiesbaden: Reicher.

Vandenbeusch, Marie, Daniel O’Flynn, and Benjamin Moreno 2021. Layer by layer: the manufacture of Graeco-Roman funerary masks. Journal of Egyptian Archaeology 107 (1-2), 281-298.

Week 2 of field season 2022 in pictures

Posted on October 7, 2022 by ankhhorproject

It is always a miracle that the time on an excavation goes by even faster than at home. Week 2 of our field season 2022 just ended and was very successful in many respects.

Most importantly, the new conservator of the project has arrived and joined the team this week. Antje Zygalski is a researching conservator for archaeological wooden objects (furniture, sculptures, panel paintings etc.) and a preventive conservator for archaeological and historical objects. She has started her work and is now very productive cleaning and consolidating coffin fragments from TT 414.

Antje busy documenting already cleaned pieces from a Ptolemaic wooden painted coffin.

We also have an Egyptian conservator, Noura, as a new team member who is helping us with the cleaning of the large number of objects (I need to take a working pic of her next week 😉).

Hassan Ramadan continued the documentation of various small finds by drawing in week 2. He also introduced our inspector Saad Knawy to the archaeological illustration of objects – Saad got an intense training with Late Period clay shabtis and is already making great progress.

Hassan and Saad produced a considerable amount of drawings of objects in week 2.

From now until the end of the season, Hassan will focus mostly on wooden objects like shrines and pedestals for stelae – he has already much experience with this kind of material from TT 414.

Fragmented shrines and other wooden objects are documented in detail by Hassan.

I started the week with finding more fitting pieces of coffins as well as identifying unnumbered ones and photographing these. I then proceeded to study and document fragmented Ptolemaic cartonnages. There are many boxes with small and sometimes larger pieces for which the challenge is to identify related pieces originally belonging to the same cartonnage element. Many of the pieces represent funerary masks of a well-known Theban Ptolemaic type. Larger fragments covering the body of the mummy are often decorated on both sides, with very interesting designs of the sky and deities on the interior.

The typical content of one of the dozens of boxes of cartonnage elements – here, there are mostly fragments from Ptolmaic funerary masks.

Infrared photography works perfect for pieces of cartonnage with darkened surfaces and I could identify some names and titles using this method. This allows me to attribute cartonnage elements to persons buried in TT 414 who are already known from their wooden coffins. In the 1970s, the fragmented cartonnage pieces could not be studied because of time restrictions – therefore this new study is of key importance to reconstruct the former burial assemblages. Apart from this great advancement in attributing cartonnage elements to Ptolemaic individuals using the tomb of Ankh-Hor as a burial place, the stylistic assessment, and the comparison of the design of cartonnages with the one of coffins is extremely promising and will take more time and a detailed study.

For now, we are very much looking forward to week 3 of our 2022 season! Conservation, cleaning, photography, study and drawing of the rich material from the tomb of Ankh-Hor will of course continue.

Highlights of Week 1, Season 2022

Posted on September 30, 2022 by ankhhorproject

Our 2022 season was opened on Tuesday and thus we only have worked three days in the magazine in the Asasif. We cleaned all the area and our workplaces were set up including new tents. Hassan Ramadan is already busy with drawing small finds – jar stoppers, clay figurines, shabtis and wooden objects are waiting for him this season.

I was organising coffin fragments according to priorities for the conservation programme which will start next week. While sorting the material, I took a considerable number of infrared photos – this method allowed us already last year to identify several pieces because the decoration and the texts becomes much clearer and nicely readable. Amazingly, already on the first day I could identify three coffins by means of such photos!

In total, I could detect seven previously unidentified fragments as belonging to registered coffins in just two days. In addition to this great progress, the reading of the text and decoration also adds new information to several pieces.

The best example here is Reg. No. 689, found in the debris in the burial chamber of Ankh-Hor. It is the front part of a pedestal of an inner anthropoid painted wooden coffin with an unusual decoration, showing three cartouches of Osiris, Isis and Horus above the binding of the heraldic plants of Upper and Lower Egypt. A ba bird is shown in adoration of the cartouches to the left; a human adoring figure is traceable on the right. Unfortunately, this side of the coffin board is very darkened, and the painting is difficult to see on an ordinary photograph.

When Elfriede Reiser-Haslauer studied this coffin in the 1970s, she therefore could not read the name of the human figure. She also made a question mark behind her identification as a male deceased, being unsecure of the gender of the darkened figure. Thus, this coffin was never included in the genealogical register of TT 414 created by Reiser-Haslauer (1982).

And here comes the magic moment 50 years later thanks to infrared photography. The decoration and texts become visible, and the name of the deceased is very clear: it is the nb.t pr Takerheb.

Detail of the infrared photo of Reg. No. 689 showing the newly identifed female owner of the coffin.

This lady is already attested from TT 414 by means of fragments of an outer anthropoid coffin in the typical early Ptolemaic black-and-yellow style, Reg. No. 780, also found in the debris of the burial chamber of Ankh-Hor. Thus, we now have new evidence of her complete set of coffins, the inner colourful painted one (Reg. No. 689) and the outer black-yellow one (Reg. No. 780). Her outer coffin also gives the title of a sistrum-player of Amun-Re and the names of her parents (see Reiser Haslauer 1982, G152).

This example hopefully illustrates both the great potential of our current work on the finds from TT 414 as well as the challenges we are facing – loads of material still need to be studied in detail! Thankfully we are just at the beginning of our 2022 season.

Reference:

Reiser-Haslauer 1982 = E. Reiser-Haslauer, IX. Genealogisches Register, 267–284, in: M. BIETAK/E. REISER-HASLAUER, Das Grab des Anch-Hor, Obersthofmeister der Gottesgemahlin Nitokris, Band II. Mit Beiträgen von Joachim Boessneck, Angela von den Driesch, Jan Quaegebeur, Helga Liese-Kleiber und Helmut Schlichtherle und Relief- und Fundzeichnungen von Heinz Satzinger, UZK 5, Vienna 1982.

The Ankh-Hor Project

TT 414 in Asasif revisited

Tag Archives: Ptolemaic coffins