The 2023 season of the Ankh-Hor project in retrospect

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Today four weeks ago we closed the 2023 season of the Ankh-Hor project in Luxor. Time for a little review of a very successful season.

Work was conducted from September 5 to October 5, 2023, with our very helpful SCA Inspector Mahmoud Sayed Abdelhady. The major goal was to continue the cleaning, consolidation, and documentation of the large number of objects excavated in the 1970s from TT 414, the monumental tomb of Ankh-Hor, High Steward of the Divine Adora-trice Nitocris (26th Dynasty).

Several previously not identified pieces were newly recognised as matches to coffins documented by the Austrian mission in the 1970s. Some of these were joined by our conservators Mohamed and Karima to the already documented pieces. One example is Reg. No. 827 – Fig. 1 shows the state of documentation in the 1970s compared to 2023; this season, we found a small new piece matching to the instep of the lid. All pieces of Reg. No. 827 were cleaned and consolidated.

Fig. 1: Reg. 827, a fragmented Ptolemaic coffin lid. Left the state in 1975, to the right our new match in 2023.

In general, all finds studied in 2023 were digitally photographed and entered in a database, created by File Maker Pro. In total, more than 180 individual objects (mostly coffins and cartonnage elements) were studied and documented by more than 2400 photos. These new photos are suitable for publication and show the colours of the pieces, in contrast to the previous documentation in the 1970s (see Fig. 2).

Fig. 2: Reg. 521, one of the examples showing the benefits of high-resolution photography in full colour.

Since many the painted objects from TT 414 have darkened surface, infrared photography was used to make the original decoration visible (with a Sony Cybershot DSC-F828, an IR-filter and a small magnet). In 2023, this method was applied to a total of 95 objects.

We introduced a new method of documentation in 2023. The app Scaniverse (see https://scaniverse.com/) was used to capture objects in 3D. This photogrammetry application is ultrafast, highly accurate and very easy to use. 170 objects from TT 414 were captured with metrically accurate 3D models this season – simply fantastic!

Ashraf and I with the box of objects we transported in 2023 to the magazine (photo: P. Heindl).

One of the highlights of this season was the transport of objects to the magazine of the West Bank. In addition, we were able to work on coffins we transported to the magazine in earlier years. My personal highlight was the new documentation of one of my favourite coffins from TT 414, of Reg. 655, with infrared photography and with a 3D model.

3D model of coffin Reg. 655 created with the app Scaniverse

The conservators of the LMU Munich Ankh-Hor Project in the 2023 season were the specialists for wood, Mrs. Karima Mohamed Sadiq and Mr. Mahmoud Mohamed Mahmoud. They did a fantastic job, both at our site and in the magazine of the West Bank. A total of 108 wooden and painted objects, mostly coffins, comprising 294 individual pieces, were successfully cleaned and consolidated in 2023.

To conclude, the fifth season of the LMU Ankh-Hor Project was carried out successfully, with much progress regarding the consolidation and documentation of wood and cartonnage coffins from TT 414. Thanks to the transfer of objects to the magazine and the placement of studied finds in sugar bags in corridors of Tomb I, much space was gain in the mission’s magazine which is crucial for the future jigsaw puzzle of coffin fragments, both in wood and cartonnage. New genealogical information regarding coffin owners were unearthed and the stylistic assessment of Ptolemaic cartonnage coffins advanced in 2023 in many aspects, including reconstructing new cartonnage coffins.

The rich potential of our work on the cartonnage coffins can be illustrated with Reg. 23/04. I was able to match several fragments of the edge of the base of a cartonnage coffin which was previously not documented (Fig. 3). Based on the father’s name, the titles and the close similarity with Reg. 860, the coffin of Horakhbjt, I would like to propose to identify the owner of Reg. 23/04, Wesjrwer, as the previously unknown brother of Horakhbjt.

Fig. 3: Reconstruction of nine fragments of the edge of a cartonnage coffin of Wesjrwer.

Since not all fragments of wooden and cartonnage coffins from TT 414 are yet consolidated and documented, our work needs to be continued in the next season.

For now, I would like to express my gratitude to all of our Egyptian colleagues without whom work would not have been possible. I am very grateful to all team members of the 2023 season: Patrizia Heindl, Caroline Stadlmann, Ahmed Elmaklizi, all LMU Munich, and Karima Mohamed Sadiq and Mohamed Mahmoud Mohamed Mahmoud as the conservators of the Ministry of Antiquities and Tourism. Ashraf Hosni Teegi did another great job as the head of logistics. Many thanks to all and we are all very much looking forward to the next season!

The 2023 team of the LMU Ankh-Hor Project.

Reunion with well-known coffins: working in the magazine of the West Bank

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Just one week ago, I had the pleasure of working on coffins from the tomb of Ankh-Hor in the main magazine of the Egyptian authorities on the West Bank – we brought them there in the 2000s and I had the chance to open some boxes for the first time since 15 years. This really was exciting!

All in all, thanks to the support of our Egyptian colleagues, I spent three days of work (Oct. 1-3, 2023) in the magazine of the West Bank. The main aim was to join newly found fragments to coffins which were transported in previous years to the magazine. This was one Ptolemaic painted coffin transported in 2007, Reg. 655. One joining piece could be fitted to the inner part of the shoulder of this coffin. I also relocated several loose fragments of the lid in our magazine, but these are not matching to each other, illustrating the destruction of the lid of the coffin when looters removed by force the mummy from within.

Mohamed Mahmoud showing the match of the coffin fragment to the shoulder of Reg. 655.

I documented the complete coffin Reg. 655, owned by a Ptolemaic priest with the name of Padiaes, using infrared photography – a technique I did not use back in 2007 and which is therefore a great complementary documentation. This allowed to trace not only all the texts but also small details of the drawings of the figures. Like in 2007, I am just really thrilled by the execution of these details!

Detail of the kneeling figures of Padiaes on a new infrared photo.

Using the app Scaniverse, the coffin of Padiaes was also captured in 3D. I made one scan with the fitting face part of the coffin lid, comprising of mask and wig, and one without it. These 3D models will allow us to digitally reconstruct the complete coffin, ideally also placing the not-fitting fragments of the lid in their original position.

Screenshot of 3D model of Reg. 655.

The second coffin for which matching pieces were found in the past years is Reg. 656, the beautiful coffin of the temple singer Aset-em-Akhbit III transported to the magazine just in 2021. Our conservators joined one fitting piece to the lateral side of the lid. Reg. 656 was, like Reg. 655, scanned in 3D and documented in its new shape with our full-frame camera.

Karima Mohamed joining the two fragments of Reg. 656 together.
Documentation of the new shape of Reg. 656 after placement of the new matching fragment.

Apart from the matching of joining pieces to these two coffins, our goal for the work in the magazine was to update the documentation of the objects. I managed to study a total of 18 objects, making high-resolution photos, 3D scans and infrared photography. My personal highlight was the reunion with the inner coffin of Wakhibre, one of the rare in situ burials of the 30th Dynasty excavated in Thebes and a very special piece.

For facilitating this important work in the magazine of the West Bank, I am very thankful to Ahmed Hassan, Chief Director of the Magazines of the West Bank as well as to Ahmed Ezz, Director of the Magazine. I am grateful to our conservators Karima Mohamed and Mohamed Mahmoud for their excellent job fitting the joining pieces to Reg.655 and Reg. 656. I would also like to thank Nefisa Elazab Mohamed who functioned as an inspector during my work in the magazine and was very helpful. I hope to be back there in the next season – 3D scans and infrared photos are waiting for other objects from the tomb of Ankh-Hor!

A puzzle of wooden coffins and cartonnage coffins from TT 414

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To all who celebrate around the world, a very happy Mawlid an-Nabi! Because of this holiday, our week 4 ended already yesterday and we could catch up with some paperwork working today from home.

In week 4, our conservators Karima and Mohammed continued with the consolidation and cleaning of coffins from TT 414, focusing on Ptolemaic pieces. They managed to clean fragments of 16 coffins this week, comprising partly a large number of individual pieces. Like last week, puzzling with the fragments and gluing them back together after cleaning was very time consuming. One of my favourite coffins they finished this week is Reg. 829 – the beautiful base of a wooden anthropoid coffin showing a felid skin on the exterior.

The beautiful bottom side of the cartonnage coffin Reg. 829.

I am particularly proud that I managed to relocate the fragments of the edges of the coffin – this is new information which was not yet recorded in the previous documentation in the 1970s.

Interior of Reg. 829 with placement of fragments of the coffin edges.

Not only the coffin is remarkable, but also its owner. Reg. 829 was owned by the god’s father and prophet of Amun in Karnak, sakh-wedjat and prophet of Sobek who dwells in Qus Hor-pa-bjk. He belongs to a very interesting, but also quite complicated priestly family which was active most probably during mid-Ptolemaic time. All the family members buried in TT 414 had very similar wooden coffins as well as cartonnage coffins – this produces several challenges in identifying the individuals. Both the female and male members of the family show a little variety of titles but share very common names; this caused already confusion in the 1970s when Elfriede Reiser-Haslauer tried to reconstruct the family tree.

Very interesting is the connection of the family to Sobek of Qus – this is something we can trace already since the time of Pa-di-Amun-neb-nesut-tawy I who started reusing TT 414 in the fourth century BCE (Budka and Mekis 2022). Tamas Mekis and I have proposed that maybe the ancestors of Pa-di-Amun-neb-nesut-tawy I moved to Qus during the Second Persian Period and returned to Thebes during the Nectanebid Period, bringing the cult of the gods of Gesy with them. The cult of Sobek in Karnak is both connected to Amun as well as to Osiris (see Budka and Mekis 2022 with references; for Sobek and his cult in general see Kockelmann 2017) – and, as Hor-pa-bjk illustrates, the Sobek cult was an integral part of the duties of the Karnak priests reusing TT 414, even many generations after Pa-di-Amun-neb-nesut-tawy I.

Coming back to the coffin assemblage of Hor-pa-bjk, I completely agree with Reiser-Haslauer (1982) – although final proof is still lacking, it is very tempting to identify Hor-pa-bjk as the brother of Hor-akh-bjt, owner of the cartonnage coffin Reg. 860, which shows a very similar felid skin on the bottom in an almost identical style.

We know that Hor-pa-bjk also had a cartonnage coffin like his presumed brother (and his father, mother and sister-in-law…) – it most probably also showed a zodiac on the interior of the lid. Since the cartonnage coffins from TT 414 are even stronger fragmented than the wooden ones, I am still sorting through fragments and trying to make sense of this large jigsaw puzzle.

My workplace was very chaotic at times this week – just too many mixed up little fragments to sort through!

As one of the most important results this week, I believe that I managed to identify another brother of Hor-pa-bjk and Hor-akh-bjt by means of a very fragmented cartonnage coffin which is again similar to Reg. 860. This would most probably be the eldest son of Nes-ba-neb-Djedet – a previously unrecorded Wesjr-wer III, named after his grandfather Wesjr-wer II. Thus, with the family tree around Hor-pa-bjk increasing, I am positive that we will soon be able to answer some of the open questions.

This small case study hopefully illustrates why all this work with the gigantic puzzle of fragments from the tomb of Ankh-Hor is worth doing – not only to reconstruct the actual objects from TT 414, but also to gain more information about the priesthood of Karnak in Ptolemaic times.

References:

Budka, J. and T. Mekis 2022. The family of Pa-di-Amun-neb-nesut-tawy from Thebes (TT 414) revisited. The case study of Kalutj/Nes-Khonsu (G108 + G137) (with contributions by Marc Etienne and Malcolm Jr. Mosher), Archaeopress Egyptology 42, Oxford [open access].

Kockelmann, H. 2017. Der Herr der Seen, Sümpfe und Flußläufe. Untersuchungen zum Gott Sobek und den ägyptischen Krokodilgötter-Kulten von den Anfängen bis zur Römerzeit. Ägyptologische Abhandlungen 74, Wiesbaden.

Reiser-Haslauer, E. 1982, C. Die Familien um Wsjr-wr und Ns-bA-nb-Ddt (spätptolemäisch), 257, in: M. Bietak and E. Reiser-Haslauer, Das Grab des Anch-Hor, Obersthofmeister der Gottesgemahlin Nitokris, Band II. Mit Beiträgen von Joachim Boessneck, Angela von den Driesch, Jan Quaegebeur, Helga Liese-Kleiber und Helmut Schlichtherle und Relief- und Fundzeichnungen von Heinz Satzinger, Untersuchungen der Zweigstelle Kairo 5, Wien.

Much progress in week 3 of the 2023 season

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This week just flew by very quickly – we made much progress in many respects.

The consolidation and cleaning of coffins from TT 414 was carried out continuously by our conservators Karima and Mohammed. They managed to clean seven additional coffins this week, comprised of more than 60 individual pieces. Very time consuming was therefore the puzzling with the fragments and gluing them back together after cleaning.

This week, Mohammed and Karima had to fit many pieces of fragmented coffins together.

One case study of these working tasks is shown here – Reg. 825 is a nice example of a looted inner anthropoid coffins with clear damages caused by the robbers. Karima and Mohammed managed to fit the fragments back together in a way that also the original shape of the lid becomes visible again.

Reg. 825 was one of the coffins successfully cleaned, glued and documented in week 3.

Another great achievement in terms of consolidation was the work by Mohammed on a very fragile pedestal of a 26th Dynasty Ptah-Sokar-Osiris statue from the tomb of Ankh-Hor. The piece is not inscribed, but covered with linen and painted in yellow, red and blue. Mohammed fixed all of the remaining painted parts. The 3D model I created of the object with Scaniverse shows in great accuracy the “footprint” of the statue – the tenon hole, but also the shape of the lower base of the figure. The almost square cavity in front of the pedestal was closed with a lid on which we traced the negative of a falcon statue.

3D model of Reg. 23/02 (created with Scaniverse) showing all the details of this 26th Dynasty Ptah-Sokar-Osiris-pedestal. The small lid of the cavity was removed for this scan.

This week the work on the cartonnage coffins from TT 414 really picked up speed. To begin, Ahmed and Caroline, our student assistants, searched and sorted through several boxes of fragments. We focused on the reconstruction of a wonderful two-part coffin of the Ptolemaic Amun priest Horakhbjt, Reg. 860- its painting is exquisite and large fragments were documented back in the 1970s. However, we realised that most of these fragments are currently missing. The good news is: I have now been able to relocate numerous pieces; they were scattered in dozens of boxes in the magazine.

Ahmed and Caroline did a great job sorting through boxes with cartonnage fragments from TT 414.

I show you here a particularly charming fragment from the lid: just check out the details of the figure of Anubis and the way he is here depicted bent over the mummy on the lion bed.

One small fragment from the lid of Reg. 860 – unusual is the representation of Anubis in this scene with the mummy bier.

I did anticipate that work on Reg. 860 will be time-consuming – maybe not as much as it turned out to be, but I am still optimistic that we will manage to document much of this important piece during this season. In addition, I managed to find matching pieces to a lot of other cartonnage coffins. The most exciting one is maybe the beautiful lid of the cartonnage of the priest Twt. Just last year, I managed to identify this cartonnage coffin and now we have a full representation of Twt kneeling in front of an offering table in delicate painting.

New matching pieces of the cartonnage coffin of Mr. Twt – the lower part of the Ba-bird and of Twt himself were newly found this week.

Last but not least, this week was also very successful in using 3D scanning with Scaniverse to document objects, fragments of cartonnage coffins and wooden coffins from TT 414. More than 50 3D scans now complement our documentation and will allow us to continue the jigsaw puzzle also back home after the season.

Depictions of pairs of jackals on wooden coffins from TT 414

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When you photograph numerous fragments of coffins every day and hold them in your hand, your eye for small details becomes sharper. One example for this is a small observation I made over the last days, and which I would like to share. It concerns the execution of individual motifs within designs arranged symmetrically along a central axis on Ptolemaic coffins from TT 414. More specifically, I am talking about pairs of jackals and the way they are represented on the same coffin. Three examples out of a larger set of coffins will hopefully illustrate why I am intrigued by these figures.

In general, two jackals, arranged symmetrically on various pieces of ancient Egyptian funerary art, are very common motifs, especially as guardian figures on coffins but also on stelae. In Thebes, the typical design of the coffin lid on the upper surface of the feet during the Late Period and Ptolemaic times shows two jackal-shaped Wep-wawet deities recumbent on a shrine on each side. The jackals commonly have a scepter between their paws and a flail above their back.

Let’s now have a look at my examples from TT 414. K07/125 is the lid of the top part of the feet of a Ptolemaic coffin. The pair of recumbent jackals flank a central vertical line of text which mentions Wep-wawet. The shrines of the jackals are not preserved, but above the jackal figures on each side are five uraei with sun discs on their head – representing the toes of the deceased.

The jackals themselves are depicted very differently – in particular the shape of the heads and snouts as well as the size and shape of the visible eye are very different. That this is not a unique feature becomes obvious when we look at two other examples. Two fragments of two qrsw-type coffins show pairs of jackals in a similar arrangement – in one case recumbent, in the other sitting – flanking the central sun disc and vertical text line, very similar to the design of stelae.

The figures I have compose illustrate how different the jackals are on the left sides to the one on the right sides. It’s mostly again differences regarding the shape of the head, snout and eye, but on K07/149 the right jackal also shows a much stockier body. If I would show you the pictures isolated – would you have guessed that it comes from the same object? This piece also shows small differences in the execution of the uraei and the space arrangement of the scenes differ slightly.

How can we explain these differences? It seems rather unlikely that different painters were involved in these minor motifs but of course this is a possibility. Perhaps there was a lot of freedom in how exactly standard motifs had to be executed on coffins during Ptolemaic times, perhaps not much accuracy was given to small details but rather to the complete design of coffins. Or could the deviations also be related to simply “natural” differences that depend on the direction of painting (animals facing to the right or to the left)?

Be it as it might, the pairs of jackals on coffins from TT 414 illustrate the complexity of coffin design in Ptolemaic Thebes and that a symmetrically arranged motif is executed in anything but the same way. This makes the study of these objects such a fascinating task.

Summary of week 2 of the 2023 season

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This week has been extremely productive, and we made much progress in our work tasks. In terms of conservation, the consolidation and cleaning of objects from TT 414 progressed very well thanks for the efforts of our conservators Karima and Mohammed. The focus was on Ptolemaic painted coffins and for many of them, matching pieces could be glued together. Despite of this time-consuming task of gluing, already 38 registered numbers with more than 70 individual pieces have been treated by our conservation team until today.

Mohammed fitting together two broken pieces of a Ptolemaic coffin lid.
Karima cleaning and consolidating another fragment from this coffin lid.

My tasks are currently to prepare the objects chosen for consolidation according to priorities, photographing them (with our full-frame camera for high resolution photos as well as with infrared photography where necessary) and identifying fragments without object numbers.

Photographing is one of the main steps of documentation in our project.
Reg. 07/58, the lower part of a Ptolemaic coffin after cleaning.

For one coffin fragment, the base of an inner anthropoid coffin (Reg. 07/58), I noticed a very interesting detail. There is a substantial amount of black goo (bitumen/resin) on the interior of this coffin – a common feature in our corpus, especially for the Ptolemaic coffins. Although this substance partially obscures the decoration of painted pieces, it is also an interesting archive of information in itself. For example, back in 2021, we documented the so-called “beetle coffin”, where a number of beetles were stuck into the resin/bitumen. There are other examples in which the negative traces of the mummy and/or of rolls of papyrus are traceable in the black goo. For Reg. 07/58, we can reconstruct that the mummy was covered in a bead net and this net has left an imprint in the resinous substance.

Detail of imprint of bead net in the black goo covering the interior of Reg. 07/58.

Thus, although only very fragmentarily preserved, this coffin fragment offers quite some interesting information on the burial which was once placed in it and got looted prior to the excavation of TT 414.

Newly documented pieces are getting measured and described as well. With the exciting new possibility of 3D scanning with Scaniverse, we will complement our documentation with this useful asset.

Finally, despite of all the digital documentation, we also use traditional methods like drawing for small objects and wooden pieces where the illustration of the construction is highly relevant. This working task was started during week 2 as well, thanks to the arrival of Patrizia Heindl.

First drawings of objects from TT 414 were realised this week thanks to Patrizia.

More team members will arrive later today, and I am very much looking forward to week 3 of our 2023 season.

Capturing objects from TT 414 in 3D – first stunning results

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On the last day of week 2 of the 2023 season of the Ankh-Hor Project, there was much excitement! Inspired by my colleagues from the South Asasif Conservation Project, I played a bit with my newly installed app Scaniverse – a wonderful tool to capture objects in 3D. With all my experience using photogrammetry in the past years in Sudan (and some earlier trials for material from TT 414), this was a stunning exercise – Scaniverse is ultrafast, highly accurate and very easy to use. It offers new perspectives of how we document our objects from TT 414 – in addition to ordinary 2D images, now capturing the objects with metrically accurate 3D models becomes feasible with little time expenditure. Simply fantastic!

My trial piece is also a scientifically important object. This week, Mohammed and Karima cleaned and consolidated two parts of the fragmentarily preserved tomb group of an important family member of Ankh-Hor, the lady Her-Aset. We do not know the name of her husband, but his title – based on the known facts, it is very likely that she married one of Ankh-Hor brothers and was thus closely related to the original owner of TT 414. This of course explains why she was buried in TT 414 as well.

Her-Aset had a nice wooden stela as part of her funerary equipment. The larger part of this stela is now in the British Museum – see my earlier post on the conservation of this piece back in 2018.

Now in 2023, we are back working on Her-Aset’s tomb group. The first piece our conservators consolidated from this group is a fragment of the inner anthropoid coffin of Her-Aset, Reg. 536.

Unfortunately, little is left of the once beautiful inner coffin of Her-Aset. Reg. 536 is the only fragment found in TT 414.

The other object is the nicely coloured and inscribed pedestal of a Ptah-Sokar-Osiris statue of Her-Aset. Reg. 539 gives her name and title within the framework of an offering formula. Karima and Mohammed finished its consolidation (it was in a very fragile state) just today and after I took the standard 2D photos, I thought that this would be the perfect trial piece for the app mentioned above.

Screenshot of my app with the 3D model of Reg. 539.

The result is great (see also the video of Reg. 539 captured with Scaniverse on an iPhone 11 and processed with Detail Mode) – and please keep in mind that it was the first time ever I used the app and that it only took a few seconds to take the photos for this model. In addition to the ordinary photos, the shape and especially the cavities on the top side of the pedestal are now captured in a detail way and in 3D. One cavity is of course the tenon hole for the now lost funerary figure of the god Ptah-Sokar-Osiris – should we ever be able to relocate this statue in one of the museums around the world, we could join it with our 3D model 😉. The larger cavity is mummy-shaped and nicely shows that Ptah-Sokar-Osiris statuettes in the Late Period sometimes contained a package of viscera/mummification material and are closely related to corn mummies.

We will explore the application of Scaniverse to document our finds from TT 414 further and will keep you of course posted!

First exciting news in Week 1

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We successfully opened the 2023 season of the LMU Ankh-Hor project earlier this week. Although we only had three working days in Week 1, we made great progress with our prime working tasks. Ashraf and Hassan cleaned the area and many boxes with objects from the tomb of Ankh-Hor (TT 414), Mohammed and Karima consolidated already 20 pieces of painted coffins.

One particular challenge for Mohammed was a fragment of a 26th Dynasty qrsw-coffin (a coffin in the shape of a shrine with vaulted lid and corner posts). This piece (Fig. 1) was reused as building material in the Lichthof of TT 414 in the later reconstruction phase of this part of the tomb during the 30th Dynasty. The builders in the 4th century BCE used mainly mud bricks and wood – and for the latter, plenty of broken 26th Dynasty coffins were available as suitable building material (especially as architraves).

Fig. 1: The consolidated fragment of a qrsw-coffin from TT 414.

Thus, although the original object Mohammed consolidated is in a very pure condition and we cannot identify its owner, the piece tells us a lot about the life history of TT 414.

I was busy in the last days sorting the coffin fragments according to priorities for consolidation and cleaning. Several of them are still not assignable – find labels are missing and the texts are not readable. Some of the fragments we are dealing with were never registered before and require full documentation. For the unclear pieces because they are not readable, I take infrared photos and try to identify the objects back home with the help of the database. We are using this technique since 2021 and have wonderful results – for most of the painted coffins with stains on the surface or darkened surfaces, the original decoration becomes visible again.

I had a particularly successful experience yesterday: A piece whose inscriptions I could not read until yesterday suddenly became clear (Fig. 2). Based on the texts (especially the name of its owner), it was an easy task to identify the coffin fragment as Reg. 762. It also turned out that this coffin was actually much nicer decorated than a first glance of the darkened surface would indicate.

Fig. 2: Reg. 762 – working photo and detail with infrared photo. Note the difference infrared photography makes in tracing the original decoration of this piece.

Furthermore, and this shows the enormous potential of infrared photography for the LMU Ankh-Hor project, more genealogical data became available for the owner of this coffin. Back in the 1970s, the names of the parents were not readable. But now they are! And it seems as if we have another, previously unknown family member of the famous Hor and Kalutj/Nes-Khonsu family! But this is so exciting that I have to ask all of you for a little patience – there will be a separate blog post about this (soon insha’allah).

Successful start of the 2023 season

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Today was the opening day of our 2023 season of the LMU Ankh-Hor Project. All went very smooth, thanks to the great colleagues in the inspectorate in Luxor and on the west bank and first of all our wonderful inspector Mahmoud Sayed. We are currently a small team, but more team members will arrive next week. This year’s focus will be on conservation and documentation of wooden painted coffins and cartonnage cases from TT 414, the tomb of Ankh-Hor.

All set up for work in the Asasif – our conservation tent early in the morning.

Like in the last years, we have again a very comfortable, spacious conservation tent set up as well as smaller tents for documentation and drawing of objects. All working steps are by now already routine – I started sorting Late Period and Ptolemaic coffins according to priorities and took first photos of selected pieces.

I am very happy that our two Egyptian conservators, Mohammed Mahmoud and Karima, started their work already today. Both are experts for wood and have an extensive working experience here in Thebes but also at other sites in Egypt. Mohammed has worked with us already in 2021 and is thus very familiar with the material from TT 414.

Mohammed set up the working spaces and continued seamlessly with his conservation work from 2021.
Karima is joing us for the first time and had a great first day like all of us!

Today, already several fragmented Ptolemaic coffins were successfully cleaned and consolidated – a wonderful start and a very nice outlook for the next weeks!

Presenting the Ankh-Hor Project at the ICE 2023 in Leiden

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It has been a wonderful week so far – more than 800 Egyptologists are gathering for the 13th International Congress of Egyptologists in the beautiful city of Leiden! Many congrats to the organizers for a fantastic job – there are multiple sessions and several workshops as well as outreach lectures and receptions. Recent finds and results from the field are presented as well as crucial questions addressed and innovative methods and theories discussed.

Today is the day for the poster presentations. I am very happy that Antje Zygalski prepared a poster about the Ankh-Hor Project: “From excavation to full documentation. A conservator’s perspective” aims to show the benefit of interdisciplinary approaches in the field, of bringing together various fields of expertise and different skills in the overall workflow.

Our poster is exhibited in the P.J. Veth Building and will be accessible until the end of the congress.

For those of you who are in Leiden – we will be presenting the poster this afternoon and are looking much forward to any questions or feedback.